This year I had the pleasure of working the City of Kitchener to help communicate the reasons for and impact of a major stream restoration in one of their urban parks. Before the restoration, the stream sped its way through a concrete channel:
After the City restored the streambed to its more natural, winding state, the waterway became more habitable by wildlife such as the pumpkinseed sunfish. The stream also began depositing sediment along its banks rather than carrying it all the way to the lake in Victoria Park and problematically dumping it there. Another significant benefit of the restoration is the aesthetic appeal of the more natural watercourse:
These illustrations will appear on an interpretive sign in Filsinger Park.
Today’s issue of the weekly science journal Nature includes an excellent article about the value of science illustration. You can read it here.
The author writes about specific collaborations between researchers and illustrators to illustrate the idea that the benefits of a good illustration are worth an investment of time and money:
Visually stunning representations that result from collaborations between scientists and artists can grab millions of online views, and attract a much wider audience than a non-illustrated paper, both of which are particularly useful for researchers whose grant applications or funding proposals require them to show a public-outreach component. They are also more likely to be written about and shared digitally, helping to raise the visibility of a scientist’s work, attract more students to a lab, boost career standing and improve chances of garnering funding. They can even inspire new experiments — or reveal gaps in knowledge.
One example cited in the article is my collaboration with scientist Jessica Linton; you can see the resulting illustration and read about it here.
This year I’ve been illustrating a variety of marine animals for the scuba diving magazine Sport Diver. For each issue, Richard Smith writes an article focusing on a different animal or group of animals. He offers interesting facts and stories about the organism(s), and my illustrations accompany them. Here are the paintings I’ve done so far, all of them with watercolor and gouache paints:
I designed these two new releases from the Royal Canadian Mint:
The background field on this silver bullion coin has fine lines radiating from the center, which is a nice effect (though a bit difficult to capture in a photograph). Bullion coins are available from coin dealers but not directly from the Mint.
You can see the full specs for this silver coin here. The box it comes in shows my original drawing on the front:
Last year I had the opportunity to produce some illustrations for Polar Bears International, an organization devoted to conserving polar bears through research and education. My illustrations of polar bears in various states of fitness became part of a scorecard used to assess body condition. It helps people who observe a bear to visually determine its body condition in the most standardized way possible. Below are three of the ten illustrations. Happy International Polar Bear Day (Feb. 27)!
Last year I received an invitation from the Royal Canadian Mint last year to submit a coin design featuring a Canadian hare in action. I thought it would be interesting to show an arctic hare (Lepus arcticus) running at full speed, a behavior employed when a predator is in pursuit.
The 34 mm silver coin has just been released:
I illustrated a ground-level view of an adult hare sprinting across rocky tundra as it attempts to outrun or outmaneuver the pursuing arctic wolf. The significant distance between the wolf and hare adds to the uncertainty about how the chase concludes. Arctic hares are an important food source for arctic wolves, which are the only predators that would typically hunt adult hares. Even so, the outcome of the pursuit is just as likely to be that the wolf gives up, unable to catch the speedy and evasive hare. I think it’s a dignified way to show the hare because running fast is something that it’s well-adapted to do; if it didn’t have a chance against the wolf then arctic hares would have become extinct long ago.
The certificate that comes with the coin shows my original drawing:
A few years ago I created this illustration showing the first people to introduce corn to Southern Ontario around AD 500 – 1000. This culture was first identified (or at least, described) at Princess Point, part of the Royal Botanical Gardens (RBG) in Burlington, Ontario. Now, the illustration is part of an interpretive sign at the RBG:
The photo shows a view of Cootes Paradise, with the T. B. McQuesten Memorial Bridge in the background. The interpretive sign was prepared under the direction of Barbara McKean, RBG’s Head of Education, who also wrote the copy. The right-hand panel on the sign depicts part of a Princess Point Complex pot; the photo was kindly provided by Dr. David Smith at University of Toronto – Mississauga. The layout was prepared by Irene Feddema of IFdesign Inc. in Burlington.