Last week I was happy to learn that one of my coin designs received a 2016 Coin of the Year Award. It’s this colored silver coin showing an autumn view into the canopies of three tall silver maples:
See my original post about the coin here.
The Coin of the Year Award is a worldwide competition created and organized by the publisher Krause Publications. An international panel of judges chooses the award recipients. You can see all of the 2016 category winners from around the world, including the maple canopy, here. The 2016 competition is for coins minted in 2014.
We’ll find out in January which coin wins the overall Coin of the Year Award.
Krause Publications is known for its catalogs and guides to coins and currency, among other subjects. In fact, one of their recent offerings is a book showcasing all of the Coin of the Year Award winners from the contest’s inception in 1984 through the 2015 Awards. Coin of the Year: Celebrating Three Decades of the Best in Coin Design and Craftsmanship is a real visual treat. It contains superb photographs of every award winning coin and text by coin expert Donald Scarinci. Scarinci is a lawyer and numismatic enthusiast with a collection of coins that includes nearly all of those photographed for his book. He serves on the Citizens Coinage Advisory Committee (which makes recommendations for United States coins) and is a nominating judge for the Coin of the Year Award.
Speaking as someone who cares about artists’ rights and has occasionally had to stand up for hers, I was disappointed to see that the book identifies only a small percentage of the artists and engravers whose works fill the pages. Perhaps this omission can be remedied in a future edition, at least as far as that is possible. Even so, I found the book to be an inspiring compilation of coin designs that had me wondering what type of direction each artist received and the thought process that led to his/her final design.
The recent SONSI exhibit of nature and science illustrations has come to an end, at least for one location. During the exhibit, people who visited the Giants Rib Discovery Centre had the opportunity to vote for their favorite works of art by filling out a People’s Choice ballot. SONSI doesn’t typically offer prizes to the winners except bragging rights; this year, however, at least some of the winning entries will be published in the Spring 2016 issue of Niagara Escarpment Views magazine.
I’m happy to report that two of my works were among the winners. First place went to this beautiful painting by Kathryn Chorney. There was a three-way tie for second place, including another of Kathryn’s pieces and the following two of mine:
We’re planning to move the exhibit to Ball’s Falls Conservation Area, but haven’t yet settled on dates.
Like many people, I’m delighted by the colorful leaves autumn brings.
Earlier this year I had the opportunity to develop a coin design that immersed me in autumn well before the season began. The Royal Canadian Mint just released this 2 oz. gold coin featuring the colored maple canopy that I designed. At the low, low price of CAD$4,889.95, it could be yours.😉
Late this summer, the Royal Canadian Mint released the final bullion coin in a series of four Birds of Prey. It’s the Great Horned Owl.
You can see my initials ‘ED’ on the coin; yep, I designed this one! The skilled engravers at the RCM excel at showing fine details of their subject’s texture and color; this bird is no exception.
Once again, I’m participating in an exhibit with the Southern Ontario Nature and Science Illustrators.
This year, our exhibit is hosted by the Giant’s Rib Discovery Centre, the same place that now displays my recent illustration of three different Silurian environments of Southern Ontario (see previous post).
More details about the SONSI exhibit are here. Please note that the exhibit will NOT be on display the weekend of September 12/13 due to an event that the Centre is hosting.
Our exhibit reception will take place on October 17, coinciding with a somewhat informal “Grand Reopening” of the Giant’s Rib Discovery Centre. Anyone who wishes to see the newly redesigned GRDC, view the exhibit, and speak to the artists is welcome to show up anytime after 10 AM. Enjoy some refreshments in the morning and see the artwork. Artists will be participating in a hike from about 10:30 AM to 12:30 PM, after which there will be opening remarks and lunch (kindly provided by the GRDC), followed by more time to socialize and see the displays. Please join us!
My six-foot-by-four-foot illustration of three different Silurian environments in Southern Ontario is now on display at the Giant’s Rib Discovery Centre in the Dundas Valley Conservation Area. The Centre is open on weekends from 10 AM to 3 PM.
From left to right, I’ve illustrated a muddy bottom community (the Rochester Shale), a reef (the Guelph Formation) and near-shore lagoon (the Williamsville Formation). Included are trilobites, eurypterids, cephalopods, megalodont bivalves, gastropods, cystoids, crinoids, a brittle star, brachiopods, bryozoans, tabulate and rugose corals, stromatoporoids, stromatolites, and algae. See the names of all 43 different creatures here.
These ancient seas existed in the Silurian period of Earth’s history, near what we now call the Niagara Escarpment. Find out more about the ancient seas and the fossils I’ve illustrated here.
This graphite and digital color illustration is the product of some pretty intense research, and I’m extremely grateful for guidance from paleontologists Carlton Brett, Frank Brunton, and Matthew Vrazo. Some valuable reference photos also came from fossil collector Paul Chinnici, who along with Kent Smith authored a just-released book about the Rochester Shale fossils. This beautiful new book also includes a detailed chapter on the stratigraphy and paleoenvironments by Carlton Brett, illustrated with the Rochester Shale portion of my illustration above. The book is available here. I write more about the book and describe my visit to the Caleb Quarry (Rochester Shale) in an earlier post.
All are invited to the Grand Reopening of the Giant’s Rib Discovery Centre on October 17, 2015. The opening will coincide with a reception for an exhibit of science and nature illustration by the Southern Ontario Nature and Science Illustrators. I’ll post details when I have them; the agenda is not yet settled.
Last year I visited a local seafood store and brought home this live lobster:
The Royal Canadian Mint had invited me to submit a coin design showing a Canadian lobster, and I needed a specimen to draw. Having never handled a live lobster before and unsure of what to expect, I first put her in my empty bathtub to take some photos.
I needn’t have been so cautious! Since air was not her natural environment she barely moved at all. After a number of photos from all angles I concluded that I needed to manipulate her appendages and body position to achieve a pose that would work on a 13.92 mm diameter coin.
So, I put her in the freezer. As far as I could determine, this was the most humane way to kill her. Once frozen and then slightly thawed, I could pose her in a variety of ways and view her from different angles in order to determine the best composition for a small circular canvas. To be sure I was positioning the lobster in a natural stance, I viewed photos of live lobsters underwater. My specimen curled up her abdomen while in the freezer, and I never managed to uncurl it; fortunately I had taken some good reference photos of her relaxed abdomen while she was alive.
Here she is, fresh out of the freezer after having been frozen, then thawed and manipulated and propped, then re-frozen:
As she thawed, she got a bit frosty:
It’s always a pleasure to have a specimen to draw from. Very often, that’s not an option, such as when I draw polar bears or whales. Despite my distaste for seafood, I had intended to eat her so as to avoid wasting her life. However, after a number of freezing and thawing cycles I decided it wouldn’t be prudent to consume her. I hope that having her portrait engraved on 7,500 pure gold coins is a good enough legacy: